1. |
Danas, Jučer, Sutra
09:10
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I often see flowers from a passing car
That are gone before I can tell what they are.
I want to get out of the train and go back
To see what they were beside the track.
I name all the flowers I am sure they weren't;
Not fireweed loving where woods have burnt-
Not bluebells gracing a tunnel mouth-
Not lupine living on sand and drouth.
Was something brushed across my mind
That no one on earth will ever find?
Heaven gives it glimpses only to those
Not in position to look too close.
R. Frost
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2. |
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I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
R. Frost
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3. |
The Last Mowing
05:59
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There's a place called Far-away Meadow
We never shall mow in again,
Or such is the talk at the farmhouse:
The meadow is finished with men.
Then now is the chance for the flowers
That can't stand mowers and plowers.
It must be now, through, in season
Before the not mowing brings trees on,
Before trees, seeing the opening,
March into a shadowy claim.
The trees are all I'm afraid of,
That flowers can't bloom in the shade of;
It's no more men I'm afraid of;
The meadow is done with the tame.
The place for the moment is ours
For you, oh tumultuous flowers,
To go to waste and go wild in,
All shapes and colors of flowers,
I needn't call you by name.
R. Frost
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4. |
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He would declare and could himself believe
That the birds there in all the garden round
From having heard the daylong voice of Eve
Had added to their own an oversound,
Her tone of meaning but without the words.
Admittedly an eloquence so soft
Could only have had an influence on birds
When call or laughter carried it aloft.
Be that as may be, she was in their song.
Moreover her voice upon their voices crossed
Had now persisted in the woods so long
That probably it would never be lost.
Never again would birds' song be the same.
And to do that to birds was why she came.
R. Frost
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5. |
The Silken Tent
08:58
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She is as in a field a silken tent
At midday when the sunny summer breeze
Has dried the dew and all its ropes relent,
So that in guys it gently sways at ease,
And its supporting central cedar pole,
That is its pinnacle to heavenward
And signifies the sureness of the soul,
Seems to owe naught to any single cord,
But strictly held by none, is loosely bound
By countless silken ties of love and thought
To every thing on earth the compass round,
And only by one's going slightly taut
In the capriciousness of summer air
Is of the slightest bondage made aware.
R. Frost
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6. |
Away!
07:05
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Now I out walking
The world desert,
And my shoe and my stocking
Do me no hurt.
I leave behind
Good friends in town.
Let them get well-wined
And go lie down.
Don't think I leave
For the outer dark
Like Adam and Eve
Put out of the Park.
Forget the myth.
There is no one I
Am put out with
Or put out by.
Unless I'm wrong
I but obey
The urge of a song:
I'm—bound—away!
And I may return
If dissatisfied
With what I learn
From having died.
R. Frost
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7. |
The Freedom of the Moon
05:05
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I've tried the new moon tilted in the air
Above a hazy tree-and-farmhouse cluster
As you might try a jewel in your hair.
I've tried it fine with little breadth of luster,
Alone, or in one ornament combining
With one first-water start almost shining.
I put it shining anywhere I please.
By walking slowly on some evening later,
I've pulled it from a crate of crooked trees,
And brought it over glossy water, greater,
And dropped it in, and seen the image wallow,
The color run, all sorts of wonder follow.
R. Frost
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Kaja Draksler Kranj, Slovenia
I was born in a small village in Slovenia and grew up in the countryside.
At the age of 18
I moved to The Netherlands to study music. A few years later, I was immersed into the rich world of Amsterdam’s improvised music scene, which complemented my studies of classical composition in a great way. After 13 years in Holland, I now live between Copenhagen, Denmark, and Trboje, Slovenia.
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